Groups or pages defending the unrestricted distribution of music/songs, instead of a few large corporations having monopoly grants on them.
They usually believe that artists are actually harmed/repressed by the current copyright system, because fewer are able to produce music and fewer people are able to hear their works.
An international network of musicians whose opinions of sampling and the use of sampling technology oppose the copyrighting of samples. Allowing the general public to sample from MACOS material freely, without incurring any legal ramifications. http://www.icomm.ca/macos/
A manifesto for musicians who want to make money in the new economy. Asserts that piracy is a phony issue that record labels are hyping in order to rip off artists. http://www.maui.net/~zen_gtr/zgzinepg4.html
Anti-copyright collective of musicians using samples from popular culture to create challenging and subversing audio collage. Information about fair use and copyright issues in music, along with free MP3 downloads. http://www.droplift.org
Supports the Free Music Philosophy, the idea that all people should have the freedom to copy, distribute, and modify music for personal, noncommercial purposes. FAQ, articles, suggested further reading, links to related sites. http://www.ram.org/ramblings/philosophy/fmp/freemusic.html
Organization rebutting arguments of the Recording Industry Association of America (RIAA) and writing critiques of the industry lobbyists' attempts to control music sharing and copying. With background information, news, essays, and links. http://www.boycott-riaa.com/
A tool that music consumers can use to distinguish whether an album was released by a member of the Recording Industry Association of America. http://www.magnetbox.com/riaa/
A professor of economics at the University of Texas at Dallas lists reasons why record industry experts failed to prove their assertion that Napster was gutting industry revenues. http://www.cato.org/pubs/pas/pa-438es.html
Site organizing and then reporting on the results of the 24 February, 2004 protest against actions censoring the Grey Album by DJ Danger Mouse. http://www.greytuesday.org/
DJ Dangermouse (Brian Burton) took vocals from rapper Jay-Z's "The Black Album," mixed them with instrumentals from The Beatles (known to all as The White Album), and came up with "The Grey Album." It wasn't made for commercial release, but the mixes go http://www.npr.org/templates/story/story.php?storyId=1722774